King of Nothing

King of Nothing

The sym­met­rical, but slightly off com­po­si­tion is one that I like to exploit fre­quently. Especially with this series, sym­metry seems to happen nat­u­rally, and it’s a com­po­si­tion that I’m nat­u­rally drawn to. Perfect sym­metry, how­ever, gets kind of boring. It always has to have something…off. In many cases, the nat­ural world is like that, and pos­sibly that’s why I’m drawn to it. Either way, here’s another mostly sym­met­rical compostion.

  • Monotype with wood, stencils