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December 28, 2016 - Comments Off on Inspiration: Zach Lieberman

Inspiration: Zach Lieberman

I took a dive into Processing this year. It started with going through Josh Davis's intro class on Skillshare, and then moved on to Dan Shiffman's intro book. While the dive was fairly shallow, I really liked getting into it and I'm hoping to get back to it sometime soon.

Last week I discovered the work of Zach Lieberman via Instagram's discovery feature. He has been spending the last year doing daily sketches using a variety of generative art tools. Tools aside, I particularly like that his work has more of an organic quality than much of the generative art that you see around. Indeed, that's one of the qualities that I most hope to be able to create with my own explorations. While I'm certainly not there yet, I really encourage you to check out Zach's work. Of particular interest is the (lengthy) article that he recently published which talks about the process behind some of his daily sketches. It's an interesting look into the process of creating digital art.

Header image is two of Lieberman's daily sketches.

September 5, 2016 - Comments Off on Inspiration: Richard Diebenkorn

Inspiration: Richard Diebenkorn

I've been looking at the work of Richard Diebenkorn a lot recently. With his unique structuring of space and sun-seeped color palettes, I'm drawn deeply into his world of abstraction. The work resonates deeply with both the work that I do professionally as well as my more artistic practice.

Richard Diebenkorn - Berkeley No. 3

Richard Diebenkorn - Berkely No. 3

Richard Diebenkorn - Albuquerque No. 4

Richard Diebenkorn - Albuquerque No. 4

It's difficult to describe the compositions as anything other than artfully balanced. Dramatic in their asymmetry, pieces often strongly emphasize the right or left of the picture plane while calling attention to the verticality of his preferred format. Although many interpret his work as an abstraction of California landscapes, Diebenkorn disliked the association. For him the work is purely abstract and not grounded in a metaphor of the physical world. Each piece is problem to be explored and unraveled through regular practice. I can relate to the tension and challenges that he alludes to in the video below when trying to figure out a particular painting:

When it comes to color, Diebenkorn was an absolute master. Though difficult to perceive in reproductions, each shape is made up of layer upon layer of translucent color. The resulting tones echo the light of the southern California sun, and have a certain dirty radiance that I'm continually in awe of.

Richard Diebenkorn - Ocean Park No. 125

Richard Diebenkorn - Ocean Park No. 125

Richard Diebenkorn - Untitled No. 18

Richard Diebenkorn - Untitled No. 18